Released: September 2009
The Doctor – Tom Baker
Mike Yates – Richard Franklin
Mrs Wibbsey – Susan Jameson
Percy Noggins – Daniel Hill
Main Production Credits
Producer and Director – Kate Thomas
Writer – Paul Magrs
Script Editor & Executive Producer – Michael Stevens
Incidental Music – Simon Power
Audio Editor – Neil Gardner
Production Assistant – Lyndsey Melling
Studio Engineers – Simon Willey & Wolfgang Deinst
Story Summary (SPOILERS!):
The Doctor stumbles on a plot by an alien hornet species to invade the Earth through animated stuffed animals. As the stuffed animals only come alive at night, he tricks the alien hornets, and their stuffed animal vehicles to follow him back to his resident cottage, the Nest, whereupon he traps them there with a force field from the TARDIS’ dimensional stabilisers. During the night, when the stuffed animals reawaken, the Doctor has to subdue them with hypnotic suggestion to stop them attacking him. Feeling alone, the Doctor, through a specifically-worded advert, invites the retired Mike Yates to join him for company at his cottage, in which he has also employed a housekeeper called Mrs Wibbsey. The Doctor relates this adventure back to Mike, and starts to tell him of other encounters he has had with the alien Hornet creatures...
Between The Invasion of Time (TV Serial) and Demon Quest (BBC Audio series).
Mike Yates – “But then I heard that you changed, and changed again!”
The Doctor – “Did I? How annoying for all of us”
Percy Noggins – “My head is like a sieve! Have you heard that expression before?”
The Doctor – “I think I invented it”.
The Doctor – “I don’t do fear, you know. I can never take it completely seriously”.
Mike Yates – “A force shield.”
The Doctor – “Yes”.
Mike Yates – “How did I get in then?”
The Doctor – “Semi-permeable. Has to be. Otherwise the Milkman gets suspicious”.
Before I go into any critique, may I say how wonderful it is to have the legendary Tom Baker back in original Doctor Who adventures again! In the 28 years since Logopolis in 1981, Doctor Who went through numerous changes, was axed, then brought back...twice, and had branched off into numerous different mediums and formats, and gone through six more Doctors. In all the whirlwind of events, it seemed that we would never again enjoy the pleasures of experiencing one of best ever Doctors come alive in a brand new exciting adventure. I suppose, dare I say it, that some of you may have even forgotten quite how magnificent Tom Baker’s portrayal truly was in the intervening decades (not me). With the arrival of Hornets’ Nest though, and later the announcement of Tom Baker joining BIG Finish, thankfully, for now at least, such ideas are things of the past.
The Stuff of Nightmares, the first part of BBC Audio’s Hornets’ Nest series, is a decidedly unusual beast in many respects. The adventure is produced as three-quarters narration, akin to an audio book, but with one-quarter performed action. Having just listened to the first half of the second season of BIG Finish’s Lost Stories audio series, I was less thrown by this than other listeners seem to have been, although it still feels more like an audio book reading than a BIG Finish production, as there’s a distinct lack of sound design. As a result, the narration really stands out at you, which is just as well, because it is certainly Hornets’ Nest’s best feature as far as I can tell. The music is also rather minimal, and appears to be quite generic and functional, supporting the narration efficiently, but without much character in comparison to BIG Finish’s composer team.
Then there is the choice of characters and setting. Mike Yates wouldn’t be the natural choice for a returning companion, but I’m very glad they did. It certainly makes a change to have a male companion back in the spotlight for a change, and Mike Yates was always one of the greats, even if he was eclipsed by the unbeatably brilliant Brigadier Lethbridge Stewart, and the kind gentlemanly Dr. Harry Sullivan. Another unexpected development is the Doctor’s earthbound base of operations in the rather quaint and cosy Nest cottage. It’s particularly surprising since its owner is one of the most restless and mad of Doctors. Nevertheless, this too is an inspired idea, and produces a wonderful and enticing image of Doctor Who mixed with rural Britain that I would love to see re-used for the show’s television escapades.
However, the most off-the-wall aspect of The Stuff of Nightmares is the story itself. The invasion of the Earth by animated stuffed animals is possibly one of the most ridiculous and outlandish storylines that I’ve ever heard of in Doctor Who, let alone the fact that they are also controlled by alien hornets. It’s so ridiculous, that the story feels like an expanded Monty Python sketch. As a result, I, like the Doctor, just can’t take it that seriously. The apparent mad silliness is highlighted by the Doctor in fact, when he points out that on one night he appeared to have been attacked by a stuffed team of creatures that resembled the cast of The Wind in the Willows. Even the lyrical puns unleashed by the writer when important figures are attacked by the beasts, sounds positively Two Ronnies-style.
The story isn’t particularly helped by the characterisation of the villains either. The alien Hornet creatures sadly appear to be one of the all-too many generic and featureless Doctor Who monsters out there who want to just invade and conquer for the pure sake of it. There are little distinctive characteristics at all, other than the obvious gimmick that they are Hornet-like in almost every respect, and can forge wasp-like hive-brains to help control the stuffed animals. There is an interesting character arc to them though – that the Doctor has interfered in their past affairs before; affairs that we are about to discover as we progress through the Hornets’ Nest series. Paul Magrs also finds it a bit difficult to quite get a handle on the right kind of dialogue for the characters to start off with, particularly when trying to replicate Tom Baker’s brilliant style of improvised dialogue he would do during his television episodes. As a result, a lot of the dialogue sounds a bit irregular and clunky at first. Well, except for Percy Noggins, who is so obviously a comedy character, that his dialogue sounds clunky and stilted almost all of the time.
Fortunately, Paul Magrs wins over the listener in other ways, in particular through his highly imaginative and well-written prose and narrative passages. I haven’t had much experience of Paul Magrs’ work, but it always makes a striking impression, displaying a magnificent visual imagination. He manages to instil an industrial factory plant with the same level of character and colourful description as a maddened baboon, and all delivered with a delightfully warm and knowing sense of humour, that suitably feels apt in comparison with the equally colourful and fun Graham Williams-era (1977-1980) of Doctor Who that his writing seems to subtly evoke. Of course, this is why The Stuff of Nightmares works well. Due to the fact that this particular audio series is mainly narration, it means that Paul Magrs’ creative descriptions help make the story come alive, and with Tom Baker’s sumptuous vocals, makes the result at times feel like sheer aural poetry.
Speaking of performances, Tom Baker is undoubtedly the star of show. Although he sounds a bit wooden for the first ten minutes, after a while, he doesn’t take long to get into the spirit of the production, and starts to shine by the end. Richard Franklin and Susan Jameson put in assured and near flawless performances throughout the audio from beginning to end. Richard Franklin in particular is surprisingly good, given that until very recently, his spell away from the Doctor Who world has surely been longer than even Tom Baker’s, even including The Killing Stone (2004 BBV audio). Daniel Hill is possibly something of a sad exception though, hamming up the part of Percy Noggins as much as possible, which along with his stilted lines makes him sound like a character from Psychoville. The Hornets don’t seem to be much better either. It could well be the case that this pantomime-style was intentionally added to the character, either via the director, or even Paul Magrs himself, but it certainly grated with this particular listener after a short while.
I must confess that I enjoyed The Stuff of Nightmares a lot. It may be a simplistic, silly, and absolutely bizarre story, but all in all it’s a pure joy to listen to. It feels like I’ve revisited the late 1970s with a piece that truly feels at home amongst the other weird and wonderful stories that were part of the Graham Williams’ seasons. We have pantomime characters and villains, some classic jokes and one-liners, and a strong leading performance from Tom Baker. Then there’s the brilliantly written narration from Paul Magrs which not only helps the adventure come alive for the listener, but also gives Tom Baker some great material that helps to remind me why I love his Doctor so much. The Stuff of Nightmares may not be the best of what Doctor Who, or even Paul Magrs has to offer, but is fantastic fun to listen to if nothing else. I urge you to try it.
Welcome back Tom! We’re overjoyed to have you back in Doctor Who. We can only wonder at what possible gems could be heading our way. I can’t wait!